Summary

Portrait of John Ruskin John Ruskin The Ethics of the Dust — Lecture 10 (1875)

Also, when Zachariah sees the speckled horses among the myrtle trees in the bottom, you still may suppose the vision symbolical;--you do not think of them as real spirits, like Pegasus, seen in the form of horses. But when you are told of the four riders in the Apocalypse, a distinct sense of personality begins to force itself upon you. And though you might, in a dull temper, think that (for one instance of all) the fourth rider on the pale horse was merely a symbol of the power of death,--in your stronger and more earnest moods you will rather conceive of him as a real and living angel.
Source: Wikisource

Portrait of John Ruskin John Ruskin The Ethics of the Dust — Lecture 10 (1875)

MARY. It does not seem to separate us from the dust of the ground. It is that breathing of the life which we want to understand.
L. So you should: but hold fast to the form, and defend that first, as distinguished from the mere transition of forces. Discern the molding hand of the potter commanding the clay, from his merely beating foot, as it turns the wheel. If you can find incense, in the vase, afterwards,--well: but it is curious how far mere form will carry you ahead of the philosophers.
Source: Wikisource

Portrait of John Ruskin John Ruskin The Ethics of the Dust — Lecture 10 (1875)

But we painters, acknowledging the equality and similarity of the kettle and the bird in all scientific respects, attach, for our part, our principal interest to the difference in their forms. For us the primarily cognizable facts, in the two things, are, that the kettle has a spout, and the eagle a beak, the one a lid on its back, the other a pair of wings,--not to speak of the distinction also of volition which the philosophers may properly call merely a form or mode of force,--but then, to an artist, the form or mode, is the gist of the business.
Source: Wikisource

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