Summary

Portrait of John Ruskin John Ruskin The Relation of Art to Religion

But think for yourselves,--I have no time now to enter upon the mighty field, nor imagination enough to guide me beyond the threshold of it,--think, what history might have been to us now;--nay, what a different history that of all Europe might have become, if it had but been the object both of the people to discern, and of their arts to honour and bear record of, the great deeds of their worthiest men.
Source: Wikisource

Portrait of John Ruskin John Ruskin The Relation of Art to Religion

Now, I must very earnestly warn you, in the beginning of my work with you here, against allowing either of these forms of egotism to interfere with your judgment or practice of art. On the one hand, you must not allow the expression of your own favourite religious feelings by any particular form of art to modify your judgment of its absolute merit; nor allow the art itself to become an illegitimate means of deepening and confirming your convictions, by realising to your eyes what you dimly conceive with the brain; as if the greater clearness of the image were a stronger proof of its truth.
Source: Wikisource

Portrait of John Ruskin John Ruskin The Relation of Art to Religion

For if the Greeks, instead of multiplying representations of what they imagined to be the figure of the god, had given us accurate drawings of the heroes and battles of Marathon and Salamis, and had simply told us in plain Greek what evidence they had of the power of Apollo, either through his oracles, his help or chastisement, or by immediate vision, they would have served their religion more truly than by all the vase-paintings and fine statues that ever were buried or adored.
Source: Wikisource

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