Summary

Portrait of Joseph Conrad Joseph Conrad Chance, Part I — Chapter 7. On the Pavement (1913)

Fyne's hints that the girl was unbalanced, I added: "Was it an unreserved confession you wrote?"
She did not answer me for a time, and as I waited I thought that there's nothing like a confession to make one look mad; and that of all confessions a written one is the most detrimental all round. Never confess! Never, never! An untimely joke is a source of bitter regret always. Sometimes it may ruin a man; not because it is a joke, but because it is untimely. And a confession of whatever sort is always untimely. The only thing which makes it supportable for a while is curiosity.
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad Chance, Part I — Chapter 7. On the Pavement (1913)

Little Fyne had never interested me so much since the beginning of the de Barral-Anthony affair when I first perceived possibilities in him. The possibilities of dull men are exciting because when they happen they suggest legendary cases of "possession," not exactly by the devil but, anyhow, by a strange spirit.
"I told him it was a shame," said Fyne. "Even if the girl did make eyes at him--but I think with you that she did not. Yes! A shame to take advantage of a girl's--a distresses girl that does not love him in the least."
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad Chance, Part I — Chapter 7. On the Pavement (1913)

The broad interminable perspective of the East India Dock Road, the great perspective of drab brick walls, of grey pavement, of muddy roadway rumbling dismally with loaded carts and vans lost itself in the distance, imposing and shabby in its spacious meanness of aspect, in its immeasurable poverty of forms, of colouring, of life--under a harsh, unconcerned sky dried by the wind to a clear blue.
Source: Wikisource

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