Summary

Portrait of Joseph Conrad Joseph Conrad Chance, Part I — Chapter 2. The Fynes and the Girl-Friend (1913)

She had even the right to go out of existence without considering anyone's feelings or convenience since some women's existences were made impossible by the shortsighted baseness of men.
I looked at her, sitting before the lamp at one o'clock in the morning, with her mature, smooth-cheeked face of masculine shape robbed of its freshness by fatigue; at her eyes dimmed by this senseless vigil. I looked also at Fyne; the mud was drying on him; he was obviously tired. The weariness of solemnity. But he preserved an unflinching, endorsing, gravity of expression.
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad Chance, Part I — Chapter 2. The Fynes and the Girl-Friend (1913)

A woman is not necessarily either a doll or an angel to me. She is a human being, very much like myself. And I have come across too many dead souls lying so to speak at the foot of high unscaleable places for a merely possible dead body at the bottom of a quarry to strike my sincerity dumb.
The cliff-like face of the quarry looked forbiddingly impressive. I will admit that Fyne and I hung back for a moment before we made a plunge off the road into the bushes growing in a broad space at the foot of the towering limestone wall.
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad Chance, Part I — Chapter 2. The Fynes and the Girl-Friend (1913)

Daylight is friendly to man toiling under a sun which warms his heart; and cloudy soft nights are more kindly to our littleness. I nearly ran back again to my lighted parlour; Fyne fussing in a knicker-bocker suit before the hosts of heaven, on a shadowy earth, about a transient, phantom-like girl, seemed too ridiculous to associate with. On the other hand there was something fascinating in the very absurdity. He cut along in his best pedestrian style and I found myself let in for a spell of severe exercise at eleven o'clock at night.
Source: Wikisource

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