Summary

Portrait of Joseph Conrad Joseph Conrad Chance, Part I — Chapter 3. Thrift… (1913)

What's her name would have had her atrocious way with very little trouble even if the excellent Fynes had been able to do something. She would simply have bullied de Barral in a lofty style. There's nothing more subservient than an arrogant man when his arrogance has once been broken in some particular instance.
However there was no time and no necessity for any one to do anything. The situation itself vanished in the financial crash as a building vanishes in an earthquake--here one moment and gone the next with only an ill-omened, slight, preliminary rumble.
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad Chance, Part I — Chapter 3. Thrift… (1913)

It was that plotting governess with the trick of a "perfect lady" manner (severely conventional) and the soul of a remorseless brigand. When a woman takes to any sort of unlawful man-trade, there's nothing to beat her in the way of thoroughness. It's true that you will find people who'll tell you that this terrific virulence in breaking through all established things, is altogether the fault of men. Such people will ask you with a clever air why the servile wars were always the most fierce, desperate and atrocious of all wars.
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad Chance, Part I — Chapter 3. Thrift… (1913)

Carleon Anthony was a tremendous aristocrat (his father had been a "restoring" architect) and his daughter was not allowed to associate with anyone but the county young ladies. Nevertheless in defiance of the poet's wrathful concern for undefiled refinement there were some quiet, melancholy strolls to and fro in the great avenue of chestnuts leading to the park-gate, during which Mrs. de Barral came to call Miss Anthony 'my dear'--and even 'my poor dear.' The lonely soul had no one to talk to but that not very happy girl. The governess despised her.
Source: Wikisource

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