Summary

Portrait of Joseph Conrad Joseph Conrad,  Chance, Part I — Chapter 6. Flora (1913)

“ Fyne who, venturing as far as possible in theory, would know nothing of the real aspect of things. It would have been comic if she were making all this fuss for nothing. But I rejected this suspicion for the honour of human nature.
I imagined to myself Captain Anthony as simple and romantic. It was much more pleasant. Genius is not hereditary but temperament may be. And he was the son of a poet with an admirable gift of individualising, of etherealizing the common-place; of making touching, delicate, fascinating the most hopeless conventions of the, so-called, refined existence.
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Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad,  Chance, Part I — Chapter 6. Flora (1913)

“ These women, too, seemed to enjoy greatly any sort of row and were always ready to combine together to make awful scenes to the luckless girl on incredibly flimsy pretences. Thus Flora on one occasion had been reduced to rage and despair, had her most secret feelings lacerated, had obtained a view of the utmost baseness to which common human nature can descend--I won't say _a propos de bottes_ as the French would excellently put it, but literally _a propos_ of some mislaid cheap lace trimmings for a nightgown the romping one was making for herself. ”
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad,  Chance, Part I — Chapter 6. Flora (1913)

“ It isn't so easy for a girl like Flora de Barral to become a factory hand, a pathetic seamstress or even a barmaid. She wouldn't have known how to begin. She was the captive of the meanest conceivable fate. And she wasn't mean enough for it. It is to be remarked that a good many people are born curiously unfitted for the fate awaiting them on this earth. As I don't want you to think that I am unduly partial to the girl we shall say that she failed decidedly to endear herself to that simple, virtuous and, I believe, teetotal household. ”
Source: Wikisource

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