Summary

Portrait of Joseph Conrad Joseph Conrad McClure's Magazine, Volume 30, Number 1…

For a moment tug and ship seemed to hang motionless in a crowd of moving shipping, and then the terrific strain that evil, stony-hearted brute would always put on everything, tore the towing-chock clean out of her. The tow-rope surged over, snapping the iron stanchions of the head-rail one after another, as if they had been sticks of sealing-wax. It was only then I noticed that, in order to have a better view over our heads, Maggie had stepped upon the port anchor as it lay flat on the forecastle deck.
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad McClure's Magazine, Volume 30, Number 1…

It’s surprising how meek Charley could be with that old woman. Only on one occasion he whispered to me, ‘I’m jolly glad she isn’t Maggie’s aunt, except by marriage. That’s no sort of relationship.’ But I think he let Maggie have too much of her own way. She was hopping all over that ship in her yachting skirt and a red tam-o’-shanter like a bright bird on a dead black tree. The old salts used to grin when they saw her coming along, and offered to teach her knots or splices. I believe she liked the men, for Charley’s sake, I suppose.
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad McClure's Magazine, Volume 30, Number 1…

There are ships that steer wildly, and ships that can’t be quite trusted always to stay; others that want careful watching when running in a gale, and again there may be a ship that will lie to badly and make heavy weather of it in every little blow. But then you expect her to be always so. You take it as part of her character, as a ship, just as you take account of a man’s peculiarities of temper when you deal with him. But with her you couldn’t. She was unaccountable. If she wasn’t mad, then she was the most evil-minded, underhand, savage brute that ever went afloat.
Source: Wikisource

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