Summary

Portrait of Joseph Pennell Joseph Pennell Joseph Pennell's pictures of the Panama Canal

These engineers and workmen are the sort of Americans worth knowing, and yet I did not see any golf links at Gatun. The day was spent in that telephone box and on the Spillway of the Dam—a semicircle of cyclopean concrete, backed by a bridge finer than Hokusai ever imagined, yet built to carry the huge engines that drag the long trains of dirt and rock across it, to make the dam. The dam, to me, was too big and too vague to draw. And all this is the work of my countrymen, and they are so proud of their work.
Source: Gutenberg

Portrait of Joseph Pennell Joseph Pennell Joseph Pennell's pictures of the Panama Canal

I came back to Colon by the side of the French Canal, completed and working up to, I believe, Gatun Lock and Dam, and spent the afternoon in the American town, every house Japanese in feeling, French or American in construction, screened with black wire gauze, divided by white wood lines—most decorative—and all shaded by a forest of palms. Through these wandered well-made roads, and on them were walking and driving well-made Americans.
Source: Gutenberg

Portrait of Joseph Pennell Joseph Pennell Joseph Pennell's pictures of the Panama Canal

Beyond are the outer walls and approaches of the upper lock, and beyond these, but unseen, the lake. At the bottom is the railroad and the temporary opening shown in the previous drawing. The scale, the immensity of the whole may be judged by the size of the engines and figures. I have never seen such a magnificent arrangement of line, light and mass, and yet those were the last things the engineers thought of. But great work is great art, and always was and will be. This is the Wonder of Work.
Source: Gutenberg

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