Joseph William Comyns Carr

Summary

Joseph William Comyns Carr 1911 Encyclopædia Britannica, Volume 4… (1911)

As it is, however, he remains as an extreme illustration of the ascendancy of the artistic faculty. For this tendency to translate ideas into image, and to find for every thought, however simple or sublime, a precise and sensuous form, is of the essence of pure artistic invention. If this be accepted as the dominant bent of Blake’s genius, it is not so wonderful that his work in art should have strengthened in proportion as his poetic powers waned
Source: Wikisource

Joseph William Comyns Carr 1911 Encyclopædia Britannica, Volume 4… (1911)

The labour of poetical composition continues, but the product passes beyond the range of general comprehension; while, with apparent inconsistency, the work of the artist gains steadily in strength and coherence, and never to the last loses its hold upon the understanding. It may almost be said without exaggeration that his earliest poetic work, The Songs of Innocence, and nearly his latest effort in design, the illustrations to The Book of Job, take rank among the sanest and most admirable products of his genius.
Source: Wikisource

Joseph William Comyns Carr 1911 Encyclopædia Britannica, Volume 4… (1911)

On the other hand, it is equally clear that no madness imputed to Blake could equal that which would be involved in the rejection of his work on this ground. The greatness of Blake’s mind is even better established than its frailty, and in considering the work that he has left we must remember that it is by the sublimity of his genius, and not by any mental defect, that he is most clearly distinguished from his fellows. With the publication of the Songs of Experience Blake’s poetic career, so far at least as ordinary readers are concerned, may be said to close.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature