Summary

Kay Lyttleton,  Jean Craig in New York

“ I have only pitied the ones who could not see that they had no genius. Ah, my dear, when you meet real genius, then you know the difference instantly. It is like the real gems and the paste. There is consecration and no thought of gain. The work is done irresistibly, spontaneously, because they cannot help it. They do not think of so-called success, it is only the fulfillment of their own visions that they love. You like to draw and paint, you say, and you have studied some in New York. What then?”
Jean pushed back her hair impulsively.
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Source: Gutenberg

Kay Lyttleton,  Jean Craig in New York

“ With her arm around Jean’s waist, she led her over to the group around Morel, and told them in her charming way of how they had discovered each other.
“And she has taught me a lesson that you, Morel, with all your art, do not know, I am sure. It is not the execution that is the crown of ambition and aspiration, it is the vision itself. For the vision is divine inspiration, but the execution is the groping of the human hand.”
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Source: Gutenberg

Kay Lyttleton,  Jean Craig in New York

“ There wasn’t one bit of peace in her heart, even while she fairly ached with the longing to be like the others.
“You’re a coward, Jean Craig, a deliberate coward,” she told herself. “You don’t like the country one bit. You love the city where everybody’s doing something, and it’s just a rat race for all. You’re longing for everything you can’t have, and you’re afraid to face the winter up here. You might just as well tell yourself the truth. You hate to be poor.”
There came a burst of laughter from the dining room and Kit calling to her to hurry up.
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Source: Gutenberg

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