Summary

Kurt Hielscher Picturesque Spain: Architecture…

I entitle this volume “Picturesque Spain”. Much will be unknown to many. I begin however with a spot famous throughout the world.—And yet I was bound to. Like the pilgrim who is drawn to the fabled Fontana Trevi once he has drunk of its waters, so too was I drawn again and again to Granada in my wanderings. I believe too that I have succeeded in presenting the Alhambra from one or two different points of view. Who indeed could exhaust this well of beauty?
Nor could I pass heedlessly by Cordoba, Seville and Toledo, for these towns are starting points.—Finger-posts to unknown Spain.
Source: Gutenberg

Kurt Hielscher Picturesque Spain: Architecture…

Once in a while a palm is seen leaning over white walls across the street; open doors offer views into pleasant court-yards.{x}
The Mezquita, the Mosque, stands like a dark rock surrounded by the white trembling light of the sea of houses.
A wonderful gateway leads to the Orange Court. The fruit and flowers of these trees perfume the air with incense. High up, backed by the blue sky, the palm trees are waving in the wind. Fountains are plashing. Once they served to refresh burnoosed dusty and foot-sore pilgrims come from afar to serve their God here.
Source: Gutenberg

Kurt Hielscher Picturesque Spain: Architecture…

This is the mood one is in when climbing further up the mountain to the Moorish summer palace, the Generalife.
We are met, as it were, and shown the way by a double row of slim black-green cypress—dark trees of silence.{ix}
The Generalife is enthroned far up on the heights, and embedded in terrace-shaped gardens.
The gardens! In them nature has enfolded all her abounding wealth of colour. Crimson-ramblers, wistarias, vines and ivy smother the walls. Mangolias, oleanders, almond trees, laurels, cypresses, araucarias, olive trees, agaves, palms and mimosa vie with one another for precedence.
Source: Gutenberg

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