Laura Spencer Portor

Summary

Laura Spencer Portor The Monkey with the Green Pea-Jacket (1919)

Where all is law and order, shall an assumption of miracle appear? Where knowledge and right have come by toil and travail, shall one rise and say, "Away from all this, and hear me for a prophet"?
He knew in a dim, adumbrated fashion that in a world of law there is shame in an assumption of miracle; he knew that a lie is something for which creation will not stand; he knew dimly that to trespass on truth is to pull heaven and earth about one's ears. All this he knew surely, but dimly, dimly. So he would not risk the pea-jacket. Instead he would dance—the steps that Tonio had taught him.
Source: Wikisource

Laura Spencer Portor The Monkey with the Green Pea-Jacket (1919)

In its blended color it was like a silent brother to the great green parrot, but here was no quivering, uncertain jealousy, only a kindly steadiness, without trembling and fault of fickleness. From time to time the booming of the tree-frogs, like the bark of a lion, broke the silence, or the great kalawoe flung its wailing cry into the profound stillness, so that one could hear the trembling notes drop away and down, down, down, until the sound of it was lost in the soundless night.
Source: Wikisource

Laura Spencer Portor The Monkey with the Green Pea-Jacket (1919)

Who had bestowed upon the great kalawoe his wide night wings for flight, feathered with softness like velvet, and his cry that trembled and wailed and died like something falling, falling into a bottomless abyss? Who had from generation to generation bestowed upon the musk its pungent and powerful odor, and upon the orchid with the flesh-colored heart, high up, high up, the unfailing brilliancy of its cup and the unchanging falling incense of its perfume?
Source: Wikisource

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