Letitia Elizabeth Landon

Letitia Elizabeth Landon

Rebecca (1832)

Summary

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon,  Rebecca (1832)

“ After vanity comes disappointment—the lover tires, or she herself may change; the same tale is told by another, and the same sequel ensues—save that the love is not so deep, and the faith not so true. A few years, and her face is not fair as it was in youth—sin and sorrow have left on it their traces; the cheek has a bloom not its own, the hair is dashed with grey, the lip is thin, and the brow haggard. The lover turns away; and death comes on, heralded by poverty and neglect ”
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon,  Rebecca (1832)

“ No two men could be of more opposite dispositions and habits than Vernon and Clinton; the latter had delicate health and a gentle temper—was at once humble and rational in his piety—and had all the elegant and refined tastes which the other despised. Still, since their residence in the same neighbourhood, their intercourse had been constant. Clinton was fond of society, though now compelled by circumstances to renounce it. The very fact of having to support his opinions was an excitement; and the often fiery eloquence of the fierce Calvinist had for him all the enjoyment of poetry. ”
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon,  Rebecca (1832)

“ Rebecca's heart died within her as she entered the little dark shop, on her way to the still smaller and darker back-parlour. Three years had been spent in solitude, in poverty, in toil—in all that hardens the heart, and imprints sternness on the brow. Out upon the folly which, in estimating human misery, allows aught to bear comparison with the agony of the poor! I use the word poor relatively; I call not those poor to whom honesty brings self-respect, whose habits and whose means have gone together, and whose industry is its own support. ”
Source: Wikisource

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