Louise Closser Hale

Louise Closser Hale

Summary

Portrait of Louise Closser Hale Louise Closser Hale Over the Alps to the Poor-House (1914)

When we had given up our destination as a habitation submerged by the cloud-burst, we suddenly found ourselves in the midst of it, for one is in the heart and on the edge of Landeck at the same time. From the doorway of the Alten Post, porters, behind green-felt aprons, descended; a head-waiter in his best Holborn Restaurant accent asked if we "would a cocktail haven," and the proprietor announced reproachfully "that we had rain broughten—his season was nothings," as though we had carried the deluge in the gasolene-tank, just to annoy him!
Source: Wikisource

Portrait of Louise Closser Hale Louise Closser Hale Over the Alps to the Poor-House (1914)

The car throbs responsively to the right or left, and our "Grazie" reaches their ears faintly, so keen is our engine to show its paces. The sun set clearly, as suns should when one has a long way to travel in the morning. The jagged teeth of the Dolomites shot up disappointingly.
The Illustrator took a hand from the wheel to wave toward them with all the enthusiasm of personal discovery. Gazing at them, Rabby and I dwelt bitterly on the false prophecies of colored postal cards.
Source: Wikisource

Portrait of Louise Closser Hale Louise Closser Hale Over the Alps to the Poor-House (1914)

Our erratic halting in the middle of a steep ascent over the Falzarego Pass is indicative of the artist devouring the mechanic. These occasional conflicts lend color to our journeying. I like them, and any mechanical indiscretion when the artist is in the ascendant I condone. In proof of this, when we found that our car had been backed too deeply into the ditch (to prevent it from impeding traffic) both Rabby and I were keen for pushing.
The Illustrator, every inch a mechanic now, sat in the driver's seat putting in the clutch and changing gears like a zylophone-player.
Source: Wikisource

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