Summary

Portrait of Louise Imogen Guiney Louise Imogen Guiney Hurrell Froude: Memoranda and Comments

Certainly, Newman was never so tormented by his affection for music, or for anything else in the same class, as he was by the glamour of out-of-doors at Taormina, and the homelier charms of ‘Devon in her most gentle dimplement.’ Spiritual matters apart, one does not perceive what else could have inwrought him more effectually with the very fibres of Hurrell’s being, than his felt infatuation for the Dartington he visited but twice in his busy life. They shared the same passion, again, for Rome. The spirit of place can always create a final test between any two cultivated minds.
Source: Gutenberg

Portrait of Louise Imogen Guiney Louise Imogen Guiney Hurrell Froude: Memoranda and Comments

Hurrell Froude’s poet-friend Williams calls him
‘Like to himself alone, and no one else.’
But he is unique without being isolated. His habitual mood was a country of far distances, not unlike his own Devon, where the rote is audible from a stern coast, and the desolate tors stand up abrupt and sharp against the white February horizon: a country which gets, in due season, its own merriment of interlying verdure, and builds a most delicate overhanging opal sky.
Source: Gutenberg

Portrait of Louise Imogen Guiney Louise Imogen Guiney Hurrell Froude: Memoranda and Comments

But he was open to higher influences than those of logic, and in Keble he saw what subdued and won him to boundless veneration and affection. Keble won the love of the whole little society; but in Froude he had gained a disciple who was to be the mouthpiece and champion of his ideas, and who was to react on himself and carry him forward to larger enterprises and bolder resolutions than by himself he would have thought of. Froude took in from Keble all he had to communicate: principles, convictions, moral rules and standards of life, hopes, fears, antipathies.
Source: Gutenberg

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