Summary

Portrait of Louise Jordan Miln Louise Jordan Miln When We Were Strolling Players in the East

Indigo, rice, opium, tea, coffee, cochineal, gems, spices—they all mean the East, but no one of them means the entire East. Bamboo is symbolic of all the East. It lifts its graceful, feathery heads among the cocoanut trees and cinnamon groves of Ceylon. It touches with rare beauty every few yards of the Chinese landscape. It breaks up into lovely bits the fields of India. It grows at the base of the Himalayas. It softens again the soft, fair face of Japan. It thrives in Singapore, it runs riot in Penang. And wonderfully deft are the natives in their use of the bamboo.
Source: Gutenberg

Portrait of Louise Jordan Miln Louise Jordan Miln When We Were Strolling Players in the East

China baffles me most. The country is so intricate with a thousand beauties, the people so unapproachable, their customs so puzzling, so almost inexplicable. But my excuse for trying to do what I am not fit to do, must be the old excuse, the great excuse, the excuse of love. I love the Orient; I prattle about it like a child perhaps; but if I could inspire one tired European to go East for a little to rest his eyes, his feet, and his heart, in the great, kind Oriental wonderland, then I should be, for once at least, a benefactor.
Source: Gutenberg

Portrait of Louise Jordan Miln Louise Jordan Miln When We Were Strolling Players in the East

Art and Nature are at their loveliest in Japan. Nowhere else is Nature so artistic. Perhaps because nowhere else does there dwell a people so intensely sympathetic with Nature. In Japan the scenery is so perfect that we almost suspect it of being studied. And the Japanese architecture—of hut or of temple—is so appropriate to its background, so fits the landscape, that we feel that both have been arranged by the same master-hand.
No other people can boast an art that breaks into so many lines of beauty, and that smiles with such sweet wealth of colour-harmony.
Source: Gutenberg

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