Summary

Louise Lamprey In the Days of the Guild

The next morning Ranulph came again with the Provençal maid of honor to get more flowers, and “strowing herbs,”—sweet-scented plants that gave out their fragrance when trodden upon. The rushes used for floor-covering were often mixed with these on festival days, and when new rushes were to be put down the whole might be swept into the fire and burned. The maids of honor made garlands for the wall, and thus the first breath of air the Queen drew in her grim, small stone rooms high in the castle keep, was laden with the scent of the blossoms of the South.
Source: Gutenberg

Louise Lamprey In the Days of the Guild

Sometimes by the light of a betty lamp in the early winter evenings the journeymen would be still at work, drawing the waxed thread carefully and quickly through the leather. Hand-sewn and made of well-tanned hide, such a shoe could be mended again and again before it was outworn. Riding-boots, leather shoes, slippers, sandals, clogs, pattens, shoes of cloth, silk, morocco, cloth-of-gold, velvet, with soles made of wood, leather, cork and sometimes even iron, went to and fro in the shadow of St. Paul’s Cathedral, and sooner or later every kind crossed the threshold of Thomas Eyre’s shop.
Source: Gutenberg

Louise Lamprey In the Days of the Guild

Me, I am content for the time to be a fresco painter.”
“And if it is all to vanish in a few years, why do we paint?” mused Padraig with a swift melancholy in his voice.
Matteo’s hand fell heavily upon his arm. “Because we must not lose our souls—that is why. The life of our work will last long enough to be seen and known by others. They will remember it, and do their work better. Thus it will go on, generation after generation, until painters come who can use all that we have learned since Rome fell, and cap it with new visions. Every generation has its dragon to dispose of.
Source: Gutenberg

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