Summary

Portrait of Walter Besant Walter Besant Mediæval London, Volume 1: Historical & Social

With the death of Richard we may fitly close the history of Mediæval London. The City no longer stands in isolation surrounded by its grey old walls: on the East and North suburbs are rising outside the walls: along the roads stand inns and taverns and houses for half a mile beyond the gates: Westminster is joined to London by a mile of Palaces as well as by the river highway: the old danger that the City might become another Venice—a state in itself—is gone: the other danger, that it would be seized by any King and deprived of its liberties is also gone.
Source: Gutenberg

Portrait of Walter Besant Walter Besant Mediæval London, Volume 1: Historical & Social

The knights rode before, and the French ladies came after. It is pretty to read how Isabel, with her long fair hair falling over her shoulders, and her sweet childish face, sat up and smiled upon the people, playing and pretending to be queen, which she had been practising ever since her betrothal. Needless to say that all hearts were ravished. The good people of London were ever ready to welcome one princess after another, and to lose their hearts to them, whether it was Isabel of France, or Katherine her sister, or Anne Boleyn, or Queen Charlotte, or the fair Princess of Denmark.
Source: Gutenberg

Portrait of Walter Besant Walter Besant Mediæval London, Volume 1: Historical & Social

Why do we think more of Jane Shore than of Alice Perrers? Why, out of the long list of frail beauties about the court of Charles II., do we fix our eyes upon Nell Gwynne and neglect the rest? Certain it is that, not only in her own lifetime but also long afterwards, Jane Shore was remembered with kindliness and pity. Everybody knows her story: she was the wife of a London citizen, a goldsmith; she attracted the attention of the man who is commonly believed to have been the handsomest man in the country, as he was certainly the most dissolute.
Source: Gutenberg

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