Louise Lamprey

Summary

Louise Lamprey Masters of the Guild

The thing that made it Lady Philippa's own particular room, which could have belonged to no one else, was the set of soft yet brilliant tapestries which covered the walls. They had been worked by her in her girlhood, and she sometimes felt that more than half her life was wrought into the quaint figures and innumerable flowers and leaves and emblems of those narrow panels of embroidery. They had adorned the room which had been hers in her father's castle, and single panels had curtained or covered wall-spaces in many other castles during her life as Queen Eleanor's maid of honor.
Source: Gutenberg

Louise Lamprey Masters of the Guild

He drew with a bit of charcoal a line so beautiful that it was like music. It was not merely the meeting of two arcs of a circle, but the meeting of two mysteriously curved perfect lines. Sir Walter Giffard saw at a glance that here was the arch he had dreamed of.
He saw more than that. David was that rare builder, a man who can work with his hands and see all the time inside his soul the completed work. He could no more endure slipshod work or graceless lines in his building than the knight himself could do a cowardly or dishonest thing.
Source: Gutenberg

Louise Lamprey Masters of the Guild

They plunder and pillage as they list, whether it be palace, abbey or nunnery that lies in their way. Honor has no meaning to those who prey on the helpless.”
“My lord,” said Dickon hesitatingly, “you mean that—that—honor is for all men—though they take no vows?”
The stranger's voice rang like steel on steel. “Honor is for all true men—and women—king or knight, merchant or peasant, bond or free. A slave may be loyal to his master—the master must keep faith with the slave. Christ died for all—for their souls, not their houses of stone or brick or timber.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature