Summary

Lyndon Orr Famous Affinities of History: The Romance of Devotion…

In history there is one woman who stands out conspicuously as a type of her melancholy sisterhood, one whose life was full of disappointment even when she was most successful, and of indignity even when she was most sought after and admired. This woman was Adrienne Lecouvreur, famous in the annals of the stage, and still more famous in the annals of unrequited—or, at any rate, unhappy—love.
Her story is linked with that of a man no less remarkable than herself, a hero of chivalry, a marvel of courage, of fascination, and of irresponsibility.
Source: Gutenberg

Lyndon Orr Famous Affinities of History: The Romance of Devotion…

Let us first consider a picture of the woman as she really was in order that we may understand her triple nature—consummate mistress of every art that statesmen know, and using at every moment her person as a lure; a vain-glorious queen who seemed to be the prey of boundless vanity; and, lastly, a woman who had all a woman's passion, and who could cast suddenly aside the check and balance which restrained her before the public gaze and could allow herself to give full play to the emotion that she inherited from the king, her father, who was himself a marvel of fire and impetuosity.
Source: Gutenberg

Lyndon Orr Famous Affinities of History: The Romance of Devotion…

But in the case of Antony and Cleopatra alone do we find a man flinging away not merely the triumphs of civic honors or the headship of a state, but much more than these—the mastery of what was practically the world—in answer to the promptings of a woman's will. Hence the story of the Roman triumvir and the Egyptian queen is not like any other story that has yet been told. The sacrifice involved in it was so overwhelming, so instantaneous, and so complete as to set this narrative above all others. Shakespeare's genius has touched it with the glory of a great imagination.
Source: Gutenberg

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