Summary

Portrait of Mabel Osgood Wright Mabel Osgood Wright The Open Window: Tales of the Months

Soon Andrea came downstairs dressed in the plain black gown that she had worn when Margaret first saw her, and said that she also wished to go to church; and the two women, preceded by the Deacon, and a blinking lantern, felt, rather than saw, their way out to the sleigh.
Once at the church, Andrea hid herself in the corner of an old-fashioned high pew, silently looking at the lights and the children’s happy faces. When the singing began, tears ran down her cheeks, and she made no effort to restrain them, or even wipe them away.
Source: Gutenberg

Portrait of Mabel Osgood Wright Mabel Osgood Wright The Open Window: Tales of the Months

Then only to close the eyes and think backward, and the people come; only do not think too far. I do not care, even in make believe, for the company of the Indians, the stone heads of whose arrows are scattered through the valley. They were no kin of mine; they left no trace, neither making the world happier or more fruitful.
In the apple orchards runs the blood of our race, the blood of the sweat and toil of our pioneer forefathers; all these old orchards are peopled, for those who have the eyes to see, and so there is no loneliness for us in this silent hill country.
Source: Gutenberg

Portrait of Mabel Osgood Wright Mabel Osgood Wright The Open Window: Tales of the Months

Oh, Gurth! how cruel of you, how could you?” sobbed Andrea, burying her face in her arms.
“I wanted our new life to be real; I thought that we should be working people and have only what we earned, and that there would be no more inequality between us or false positions, and now it is all over,—even our trouble is not our own! It was cowardly in Gurth! cowardly, I say!”
Margaret was at a loss how to reply to this outburst. Andrea’s fatigue and worry would account for her vehemence, but allowing for this, there was some truth underlying her complaint, which made it difficult to cope with.
Source: Gutenberg

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