Summary

Portrait of Madeline Yale Wynne Madeline Yale Wynne The Little Room, and Other Stories

I was just going to cry out, “Why, Aunt Hannah, is that you?” when suddenly I felt very passive, and as if a change was going on. The curtains of my bed moved back slowly, and I was again in that mysterious little room. I seemed to see either myself or my mother, I could not tell which it was, as a little girl, lying on the sofa; it was that same blue-chintz sofa I told you about; everything in the room was exactly as I remember seeing it when I was a child, even to the shell and the book on the shelf.
Source: Gutenberg

Portrait of Madeline Yale Wynne Madeline Yale Wynne The Little Room, and Other Stories

Grant went into the gate under the two old Lombardy poplars and walked up the narrow path to the door, where they were met by the two aunts.
Hannah gave Mrs. Grant a frigid but not unfriendly kiss; and Maria seemed for a moment to tremble on the verge of an emotion, but she glanced at Hannah, and then gave her greeting in exactly the same repressed and non-committal way.
Supper was waiting for them. On the table was the gilt-edged china. Mrs. Grant didn’t notice it immediately, till she saw her husband smiling at her over his teacup; then she felt fidgety, and couldn’t eat.
Source: Gutenberg

Portrait of Madeline Yale Wynne Madeline Yale Wynne The Little Room, and Other Stories

And Seraphita ran right in among the flying stones, and not one of them hit her, for the Devil held his hand between her and the stones, and she caught up the Devil’s kitten and hugged it tight, while the stones fell at her feet, and the boys cried out, “Devil’s brat! Devil’s cat!”’
Pepita,’ said I, ‘she seems to me to have been a very nice, soft-hearted little girl.’
‘Oh, no! Señora Maria Madalena, you see black cats belong to the Devil, and if she had had any soul she couldn’t have taken one in her arms.
Source: Gutenberg

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