Margaret Prescott Montague

Summary

Margaret Prescott Montague Deep channel (1923)

The handle was turned and old Miss Fogg looked forth. In spite of herself Julie fell back a step or two. The old face staring out at her was so startling, so haggard, so defiant, and so horrible with despair, that she was speechless [191] before it. For an instant the head was thrust out at her, its gray unbrushed hair, its withered neck set in torn nightgown-ruffles, looking like some grotesque despairing Jack-in-the-box. Then before Julie could muster a word, the face was withdrawn, the door banged shut, and the key twisted in the lock.
Source: Gutenberg

Margaret Prescott Montague Deep channel (1923)

The life had gone out of every small attempt at homemaking. The curtains, which had once been clean and festive, were soiled and torn now, and the white covers upon the bureau were crumpled. The spirit in the old woman which should have informed her dwelling place with life and cheer was as withered at its roots as the geranium in the window. There was just one thing which caught Julie’s eye amid all the squalor.
Source: Gutenberg

Margaret Prescott Montague Deep channel (1923)

Later on, there was a knock at the door and the coroner came in to ask for evidence. Tim gave him the note Miss Fogg had written Julie, and the coroner, a rather sombre dark man with a sallow face and outstanding ears set wide as though to catch every note of horror that the world held, read it, holding it beneath the gas jet that made shining lights on his hair, pausing every now and again to say, “What do you make of that word?”
“Well,” he said when he had puzzled it all out, “it’s suicide all right, no question about that.
Source: Gutenberg

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