“ Oh, Jarvis, do let's hurry and make much red gold, so I can look like these finished things that trip up Fifth Avenue.""You want to be like them—like those dolls?" he scorned, with a magnificent gesture."Yes. I'd like to be so putrid with wealth that I could have rows of wardrobe trunks, with full sets of clothes for every me.""How many of you are there?""Oh, lots. I've never counted myself. Some days I'd dress up like a Broadway siren, some days I'd be a Fifth Avenue lady, or a suburbanite, or a reformer, or a ballet dancer, or a visitor from Boston." ”
Summary
Quotes from Bambi (Marjorie Benton Cooke)
Marjorie Benton Cooke,
Bambi
(1914)
“ She never faced the possibility of failure. Jarvis’s name would be made as a playwright. At the thought that she was to bring him his opportunity at last, she flushed and smiled, though her eyes misted. Then she began to plan how she would tell it to Jarvis, the story of her adventuring into the new field, her swift success, and now this last laurel leaf. Suddenly a new idea lifted its head. Suppose Jarvis refused to come into his own, under her mantle, as it were? He would be proud and glad for her, of course, but maybe he would resent taking his first chance from her hands. ”
“ I know my wife to be absorbed in another man; you say your husband turns to another woman. We represent to them stumbling-blocks between them and their happiness. Surely it is only right that we should all be freed to find our true mates."I find it daily more of a burden to carry this secret in my heart, when knowledge of it would lighten my wife's unhappiness. Shall we not confess the situation, and discuss plans for separation? I owe this girl who bears my name more than I can ever pay. I would not do anything to hurt her pride. Tell me what you think about it, dear one?"YOUR JARVIS." ”
Marjorie Benton Cooke,
Bambi
(1914)
“ I have come to know all my happiness lies in the balance of that one night, toward which we walk, you and I, every minute of every day. “Your Lady.” His answer came, special delivery: “It shall be as you wish, dear heart. But if anything should happen to delay the opening of the play, I think I should ask you to remit the sentence of banishment. I live only to look into your eyes! “How can you say that you may disappoint me? If you were old, humpbacked, ugly—what difference? You are mine! We must find freedom for ourselves and a new life. I adore you. ”
Marjorie Benton Cooke,
Bambi
(1914)
“ She was crouched before a fire, cross-legged, her face cupped on her hands. In her pink robe and cap she looked more like a child than ever. She half turned her head, as if feeling his presence, so he saw how pale she was, how black the circles round her eyes. “My little love!” he cried to her. “My little love!” She sprang to her feet, facing him; her hands went swiftly to her heart, as if a spasm shook her. As Jarvis came toward her, a great light in his face, she put her hands out to fend him off. ”
“ She must fight to catch the big manager's attention, and win her way with him. She drew her furs about her, closed her eyes, and tried to shut out the sight of that sordid, wretched room, where handsome big Jarvis was paying the toll to success—toll of blood and brain and nerves, paid by every man or woman who mounts to the top! She saw him climbing wearily those dirty stairs, coming into the cell. Over and over she saw it, like a moving-picture film repeated indefinitely.At quarter before three she ordered the driver to the Empire Theatre. ”
“ She wrote him at once: "MY DEAR JARVIS: At last I feel that there is truth between us. I have suspected that you were not happy in your love life. But I wanted not to pry into locked chambers. Now we can be glad of the bond that lies between us, for I, too, go heart hungry through the days."I have not spoken to you of my home, or my husband, but now that you have become such a part of my thought life, I feel no disloyalty in the truth."My husband is a man who has never felt the want of affection. ”
Marjorie Benton Cooke,
Bambi
(1914)
“ At the end of the first act he stopped and looked at the faces of his audience. The Professor was awake and deeply puzzled. This strange young man was holding up to his view a perfectly strange anomaly which he called a woman. The Professor had never dreamed of such a hybrid. He couldn’t grasp it. He gasped at Jarvis’s audacity. Bambi sat curled up in the end of a wicker couch, her feet drawn under her, like a Chinese idol, every nerve attuned to attention. He noticed how, without words, she seemed to emanate responsiveness and understanding. ”
“ Many a gay-hearted girl has sat, as Bambi sat, looking off over the housetops in this "City of Beautiful Nonsense," dreaming her dreams of conquest and success. Youth makes no compromise with life. It demands all, passionately; loses all, or wins, with anguish of spirit. So it was with Bambi, the high-handed, imperious little mite. She willed Fame and Fortune for Jarvis and herself in full measure. She wanted to count in this great maelstrom of a city. She wanted two pedestals—one for Jarvis and one for herself—to lift them above the crowd. ”
“ It is the first duty of a husband to support his wife.""Old-fashioned husbands, yes—but not modern ones. Lots of men marry to be supported nowadays. How on earth could I support the man I love?""You are not without talents, my dear.""Talents? You almost said accomplishments! If you were not living in the Pliocene age, Professor James Parkhurst, you would know that accomplishments are a curse—accomplishment is the only thing that counts. I can sing a little, play the piano a little, auction bridge a good deal; I can cook, and sew fancy things. ”
“ Jocelyn," she said, instantly. "I thought, of course, you had met.""You absurdity!" laughed Jarvis. "What is it that you love about rivers?""Oh, their subtlety, I suppose. They look and act so aimless, and they are going somewhere all the time. They are lazy and useful and—wet. I like them.""Is there anything in the universe you don't like?" Jarvis inquired."Yes, but I can't think what it is just now," she answered, and sang "Ships of mine are floating—will they all come home?" so zestfully that an old gentleman in the front seat turned, with a smiling "I hope so, my dear!" ”
“ He hated himself, and the whole situation. It galled him to think he had deliberately submitted himself to such treatment. Even Bambi could not expect it of him,—to set him to sell his dreams in such a market. He charged down Broadway, clearing a wake as wide as a battleship in action. He saw red. He was unconscious of people. He only felt the animus of the atmosphere, the sense of things tugging at him, which had to be cast off. Why was he here? He wanted the quiet, the open stretches, and his own free thoughts. What turn of the wheel had brought him into this maelstrom? Bambi! ”
Marjorie Benton Cooke,
Bambi
(1914)
“ He rose as he finished, and Jarvis rose, too. They looked each other in the eyes. “Thank you!” said Jarvis. He suddenly realized, without words of any kind, that this man suffered as he did, because he, too, loved Bambi. He was big enough to come to her husband with news of her need. By a common impulse their hands met in a warm hand-clasp. “She needs you, Jocelyn,” Strong said. “You’re a good friend, Strong,” Jarvis answered. When he had gone, Jarvis hurried to his room and began to pack his bag. His heart beat like a trip-hammer with excitement. He was going to Bambi! She needed him. ”
“ The foyer of the Plaza was like a reception. The tea-room was a-clatter and a-clack with tongues."Like the clatter of sleek little squirrels," said Bambi, as she followed the head-waiter to their table.Her comments on people about them, the nicknames she donated to them, convulsed Strong. He would never again see that pompous head-waiter except as "Papa Pouter!""Would you get tired of it if you were here all the time?""I suppose so. It is all so alike. The women all look alike, and the men, and the waiters. ”
“ To Bambi's surprise, he was on his feet instantly, and a torrent of words was spilled upon the dramatic critic. He held the attention closely, in an impassioned plea for thoughtful drama, not necessarily didactic, but the serious handling of vital problems in comedy, if necessary, or even in farce. It need not be such harrowing work as Brieux makes it, but if the man who had things to say could and would conquer the technique of dramatic writing, he would reach the biggest audiences that could be provided, which ought to pay him for the severity of his apprenticeship. ”
“ BAMBI I"Professor James Parkhurst, I consider you a colossal failure as an educator," said Francesca, his daughter, known to friend and family as Bambina, or Bambi for short.Professor Parkhurst lifted a startled face from his newspaper and surveyed his only child across the breakfast table."My dear, what causes this sweeping assertion of my incompetence?""I do! I do! Just what did you expect me to do when I grew up?""Why, to be happy.""That's the profession you intended me for? Who's to pay the piper? It's expensive to be happy and also unlucrative." ”
Marjorie Benton Cooke,
Bambi
(1914)
“ On every bench, crowded together, huddled the sleepers. He walked slowly, and looked at them closely. Most of them were old—old men and old women—warped out of all semblance to human beings, their hideous faces and crooked bodies more awful in the abandon of sleep. Some young ones there were, too: a thin boy with a cough; a tired girl of the streets, snatching a moment of sleep before she went about her trade. It was like some fantastic dream. “Softlings! Poor softlings!” Jarvis muttered, Bambi’s words coming back to him. ”
“ Bambi gurgled with laughter, then looked serious."He's fallen on an idea just the same, Jarvis. Your woman isn't convincing.""But she's true," he protested."We don't care a fig whether she's true, unless she's true to us," she answered him. "Go on with your last act.""You don't like it—what's the use?""Don't be silly. I am deeply interested. Go on!"He began a little hopelessly, feeling the atmosphere, by that subtle sense that makes the creative artist like a sensitive plant where his work is at stake. The third act failed to ascend, or to resolve the situation. ”
“ Conversation limped along like a tired cab horse. Even Bambi could not prod it into a semblance of life. Besides, she was choked with laughter at the picture of Jarvis sitting up, during his sacred work hours, full of bromides and manners. A discussion of New York almost released him. He thundered against modern cities with force. New York, discovered to be the home of Strong, became anathema to his host. It was the Goliath of Tyranny, Wealth, Degeneration, against which, David-like, he aimed his sling. Strong led him on, interested in his personality. ”
Marjorie Benton Cooke,
Bambi
(1914)
“ This cold, damp air is just the thing. Now look at me,” she boasted, shaking her head so that the soft, curly rings fluttered like little bells about her face. “Yo’ll do,” said Ardelia. Bambi disappeared into the closet, and presently she popped out her head. “Ardelia, prepare to die of joy. When you have seen my new dress, life has nothing more to offer you.” ”
“ Bambi whispered to Jarvis. He nodded, his eyes glued to the stage. Of all kinds of creative work, dramatic writing can be the most poignant or the most satisfactory. It is the keenest pleasure to see characters whom you have invented given life and personality if the actors are clever. The Jocelyns had the aid of practically a perfect cast. The sense of power that comes with the laughter or the tears of an audience aroused by your thoughts is a very real experience. Bambi "ate up her sensations," as Strong had said. ”
Marjorie Benton Cooke,
Bambi
(1914)
“ So the long and the short of it was that Jarvis went off to New York again. No martyr ever approached the stake with a more saddened visage than he turned upon Bambi as the train pulled out. She waved her hand at him, smiling pleasantly, but he was sorrowful to the last glimpse. “Poor old baby!” she laughed. “He shall stay in New York a while. He is getting too dependent on mamma.” ”
“ Her eyes shone at him in the half light like Bambi's, and he shuddered. As she sped away a sudden rage possessed him. Why did they endure, these patient beasts? They numbered thousands upon thousands, these down-and-outs. Why did they not stand together, rise up, and take? Why didn't he shout them awake, and lead them himself? "Gimme a nickel to get a drink?" whined a voice at his elbow."Here, you, move on!" said the policeman, roughly, arousing Jarvis from his trance.On the way uptown to his room he thought it over. If they could organize and stand together, they wouldn't be what they were. ”
Marjorie Benton Cooke,
Bambi
(1914)
“ Richard and Francesca—so they had gone as far as that on the road to intimacy was Jarvis’s hurt comment to himself. After that he watched Strong every minute for signs of special devotion, and before the day was over he had satisfied himself that these two cared deeply for each other. The way Strong’s eyes followed her every movement, the way he anticipated her wants, understood her before she spoke—they were all damning evidences of the situation. That Bambi showed herself grateful, as vividly as she did everything else, entirely escaped Jarvis. ”
Marjorie Benton Cooke,
Bambi
(1914)
“ None of the perquisites of success, so dear to Bambi’s dreams, appealed to him. He saw himself, like John the Baptist, crying in the wilderness, which was the world, and all the people, in all the cities, were roused out of their lethargy and dull submission at his call—not to prayer, but to thought. It was a great mission he was upon, and even Broadway became consecrated ground. ”
“ She began to wonder whether his dislike of Strong was really serious and something to be taken cognizance of.Jarvis strode off into the country in a state of nerves unknown before. A sleepless night and the irritation of the day's work had played their havoc with him. He went over the thing again and again. Bambi and Strong loved each other—he stood in the way. Why should he not take himself out of the situation at once? "She married me for a whim; she will unmarry me the same way," he reiterated to himself. ”
Marjorie Benton Cooke,
Bambi
(1914)
“ Jarvis and Bambi sat down. “Isn’t there something you want to tell me? I can’t just remember what you went to New York for?” “We went to sell my play,” Jarvis prompted. “To be sure. It had escaped me for a moment. Were you successful?” “We were not.” “Oh, Jarvis, how can you say that? We don’t know yet. Belasco is considering it.” “What is this Belasco?” Bambi looked at Jarvis, and they both laughed. “Isn’t he refreshing?” she remarked. “I’ve thought for two weeks in terms of managers. They fill the universe. They are the gods. ”
“ Strong arrived in the morning's mail, so Bambi induced Jarvis to go over to the Cubist show, by himself, on the plea that she had a headache. He went, most willingly, anywhere, except Broadway.The minute he was out of the way her languid, headachey manner changed to one of brisk energy. She donned her smartest frock and hat. She was more earnest in her effort to allure the eye than she was on the day of her own conquest. "You must look your best, you little old Bambi, you, and see what you can do for big Jarvis!" ”
Marjorie Benton Cooke,
Bambi
(1914)
“ You saw me in a work fit. I’m a devil. I’m like one possessed. I swear and rave if I am interrupted. I can’t eat nor sleep till I get the madness out of me. I am not human. I am not normal. I am not fit to live with.” “Very well, we will build a cage at the top of the house, and when you feel a fit coming on you can go up there. I’ll slip you food through a wire door so you can’t bite me, and I’ll exhibit you for a fee as the wildest genius in captivity.” “Bambi, be serious. ”
“ Two days later the result of the evening's work came to Bambi: "DEAR AUTHOR LADY: Some days ago I sent you my new address, so that you need not send letters to the theatre, but so far I have not heard from you. To-night, for some reason, I feel moved to write to you as I would wish to talk to you were you near me."I say for some reason, and yet I know the reason. It is because of your human understanding of the things that make men glad or sad. I am beginning to know that only through the ache of experience can we come to understand each other. ”
“ The Professor ate his lunch oblivious to the comedy, but Jarvis scarcely touched his. Some new, painful thing was at work in him. He resented it every time this man looked at Bambi. He wanted to knock him down, and order her off to her room. Most of all, he was furious with himself for caring. He had the same instinct which possessed him in New York when he rushed to the club to sweep her out of his life, and so save himself. He determined to leave the moment luncheon was over. She must never know what a bad hour she had given him. Poor, ostrich Jarvis, with his head in the sands! ”
Marjorie Benton Cooke,
Bambi
(1914)
“ Sometimes, if we set our hearts too much on a thing, our very determination thwarts us. Is it not so? Perhaps it is for the sake of some one else that you are so eager for accomplishment. I feel that it is to come to you in this play, and I am glad. “Be of good cheer, Comrade. Even the memory of bitter fights grows dim. I will not think of you as daunted by anything life can offer. No, nor death. Why have I this confidence in you, I wonder? “In all friendliness, “The Lady of Mystery.” The day this letter came to Jarvis marked a change in him to Bambi’s watchful eye. ”
