Maria Thompson Daviess

Maria Thompson Daviess

Summary

Portrait of Maria Thompson Daviess Maria Thompson Daviess Blue-grass and Broadway

Godfrey Vandeford would never have thought of being on any particular guard against the author of a play in purple ribbons entitled "The Renunciation of Rosalind," but he knew almost instantly that something dire had happened to him as he sat and writhed at the thought of his plans for the extinction of that piece of dramatic art, which he had not even read. The whole sophisticated world has decided that there is no such thing as love at first sight, except the biological scientists and they know and can prove that such a thing does exist and that it is a worker of wonders.
Source: Gutenberg

Portrait of Maria Thompson Daviess Maria Thompson Daviess Blue-grass and Broadway

Miss Hawtry had seen that her Maggie Murphy insult to Mr. Vandeford had apparently cut more deeply into the big Jonathan than into Mr. Vandeford himself, and she had realized that she must set her scene well and act quickly and with daring if she accomplished her purposes.
"Forgive me—and comfort me. I have hurt myself more than I have hurt him," she cried out as she turned to him and expelled two sparkling tears from her great blue eyes, and held out bare, white, glorious arms to him, with the sob of a repentant child caught in her throat.
Source: Gutenberg

Portrait of Maria Thompson Daviess Maria Thompson Daviess Blue-grass and Broadway

Nobody will think you know you've got 'em, if you show them like everybody else; but they'll think you think you are a peep-show if you cover them half up." And as she spoke Miss Lindsey gave another daring rip and snip. Her philosophy struck home.
"That's every word true," agreed Miss Adair, with relief. "I'll just forget about my skin there, as I do about that on my face and hands and nobody will notice me at all."
"That's it. Skin is no treat to New York, and nobody will look at you twice."
Source: Gutenberg

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