A. E. W. Mason,
The Four Feathers — XVII: The Musoline Overture
(1902)
“ Adair, on her side, asked for no explanations. She was naturally, behind her pale and placid countenance, a woman of a tortuous and intriguing mind. She preferred to look through a keyhole even when she could walk straight in at the door; and knowledge which could be gained by a little manœuvring was always more desirable and precious in her eyes than any information which a simple question would elicit. ”
