“ Misunderstanding, self-justification, the rights or wrongs of their unhappy estrangement--all were forgotten, all were swept away. Clinging to him she guided him along the passageway and into the sitting-room, where Adair, bewildered and astonished, was waiting to receive them. Even in the throes of that tumultuous moment Phyllis, trying to see with her father's eyes, took in Adair with a welling pride. Never had he appeared to her more manly, more distinguished or noble; and when she said: "My husband, Daddy," it was with a little air that told of her own content with the man of her choice. ”
Summary
Infatuation, an anonymous novel centered on the tumultuous relationship between actor Adair and socialite Phyllis Ladd, examines the dynamic between love, creativity, and societal pressures. Set against the backdrop of New York’s theater world, the narrative explores the couple’s challenges with misunderstanding, idealism, and the tension between Adair’s artistic drive and Phyllis’s practical determination.
Themes of affection, wit, and the delicate nature of illusion run throughout the text, culminating in a depiction of romance as both a refuge and a source of discord. The work’s emphasis on theatrical imagery and personal sensitivity highlights its reflection on the fragile equilibrium between reality and fantasy.
Quotes from Infatuation ()
“ He could come home in the damnedest humor--it hurt him to think how often he had--so cranky and impatient and cross that any other woman in the world would have flounced into a fury--and little by little she would coax him and pet him and smooth him down till instead of flinging plates at each other, as most people would have done, by George, she'd be sitting on his knee, and he'd be smiling down at her, a thousand times more in love than ever, with such a pang of self-reproach, and such a new understanding of her sweetness and tenderness that his heart would swell till he could hardly speak. ”
“ To Phyllis at least there was a great pathos in the exasperated outburst that was very far from being due to vanity alone. The revelation of her husband's weakness, of his utter dependence on her good opinion, atoned not a little for the violent things he said. It enlarged her understanding of the childishness that lies so close beneath the artist-nature--of its swift extremes of feeling--and showed her, too, the amazing intensity that Adair put even into a small rôle, and taught her afresh what a life and death matter the stage was to him. ”
