Summary

Portrait of Mark Twain Mark Twain,  The Innocents Abroad — Chapter XLIX. (1869)

“ The ocean is gold, the city is gold, the meadow, the mountain, the sky—every thing is golden-rich, and mellow, and dreamy as a vision of Paradise. No artist could put upon canvas, its entrancing beauty, and yet, without the yellow glass, and the carefully contrived accident of a framework that cast it into enchanted distance and shut out from it all unattractive features, it was not a picture to fall into ecstasies over. ”
Source: Wikisource

Portrait of Mark Twain Mark Twain,  The Innocents Abroad — Chapter XLIX. (1869)

“ Right in this place the artist taxed his genius to the utmost, and fairly opened the gates of fairy land. You look through an unpretending pane of glass, stained yellow—the first thing you see is a mass of quivering foliage, ten short steps before you, in the midst of which is a ragged opening like a gateway-a thing that is common enough in nature, and not apt to excite suspicions of a deep human design—and above the bottom of the gateway, project, in the most careless way! ”
Source: Wikisource

Portrait of Mark Twain Mark Twain,  The Innocents Abroad — Chapter XLIX. (1869)

“ We never saw a human being on the whole route, much less lawless hordes of Bedouins. Tabor stands solitary and alone, a giant sentinel above the Plain of Esdraelon. It rises some fourteen hundred feet above the surrounding level, a green, wooden cone, symmetrical and full of grace—a prominent landmark, and one that is exceedingly pleasant to eyes surfeited with the repulsive monotony of desert Syria. ”
Source: Wikisource

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