“ The spire and the tower of the two churches of Cluhir, rose on either side of the pale radiance of the river, with the slender arch of the bridge joining them, as if to show in allegory their inherent oneness, their joint access to the water of life. Religion counted for but little with Larry in those days, yet as the wonder of beauty sank into his soul, that was ever thirsty for beauty, the thought of what it would mean for Ireland if the symbol of the linking bridge had its counterpart in reality sprang into his eager mind. ”
Martin Ross
Summary
"Mount Music," a novel by Martin Ross, unfolds in a rural Irish setting, weaving themes of hunting, natural beauty, and emotional introspection through the lives of its central characters: Larry, Christian, Barty, Tishy, and Lady Isabel. The narrative explores the symbolic resonance of landscapes, the dynamics of human connection, and the tension between personal ambitions and societal norms.
Set against the backdrop of hounds, kennels, and the ritual of the hunt, Ross’s work contrasts the visceral energy of outdoor pursuits with moments of quiet contemplation, as seen in Larry’s reflections on unity and beauty. The novel’s structure, enriched by poetic descriptions and introspective passages, underscores its focus on the interplay between nature and the human spirit, culminating in a meditation on the fleeting yet profound nature of emotional and artistic experience.
Quotes from Mount Music (Martin Ross)
“ Miss Mangan's skill was not limited to the prosaic lighting of material fires only. With the two most distinguished young men of the party at her feet, she rose to the height of all her various powers. The fire roared and crackled, the kettle bubbled, and Tishy's grey and gleaming glances through the smoke were like a succession of boxes of matches, cast upon the responsive fires of Larry's and Georgy's holiday hearts. The young May moon has often been a factor in affairs of the heart whose importance cannot be ignored. ”
“ To find a landscape has been reversed by the hand that wields the duster, so that the trees stand on their heads, and the sky is as the waters that are beneath the firmament, is an experience that has been denied to few painters, and Mrs. Dixon would have found many to sympathise with her, as she stood in silent stupefaction before the portrait. Larry had been justified in his belief in it, but for such as Mrs. Dixon, its appeal was inappreciable. Christian's face was in shade, the brown darkness of her loosened hair framed it, and blended with the green darkness of the yew hedge. ”
