Mary Anne Broome

Mary Anne Broome

Summary

Portrait of Mary Anne Broome Mary Anne Broome The Bedroom and Boudoir (1878)

Nothing can be at once cleaner or more wholesome than the beautiful wainscotted walls we sometimes see in the fine old country houses built in Queen Anne's reign. A bedroom of that date, if we except the bed itself, and the probable absence of all bathing conveniences, presented a nearly perfect combination of fresh air, spotless cleanliness, and stately and harmonious beauty to the eyes of an artist or the nose of a sanitary inspector.
Source: Wikisource

Portrait of Mary Anne Broome Mary Anne Broome The Bedroom and Boudoir (1878)

If the room be an essentially modern one, and especially if it be in the country, nothing affords a prettier spot of colour in it, than the old-fashioned toilet-table of deal covered with muslin draperies over soft-hued muslin or batiste. Of course the caricature of such an arrangement may be seen any day in the fearful and detestable toilet-table with a skimpy and coarse muslin flounce over a tight-fitting skirt of glaring pink calico, but this is a parody on the ample, convenient stand for toilet necessaries, the draperies of which should be in harmony with the other colours of the room.
Source: Wikisource

Portrait of Mary Anne Broome Mary Anne Broome The Bedroom and Boudoir (1878)

Sickness is not only a great test of the sufferer's own character and disposition, but of those of the people around him, and as a general rule, I have discovered more beautiful qualities in sick people, and those about them, who dwell in cottages or even hovels, than in more splendid homes. Everyone knows how really kind poor people are to each other, and never more so than when the angel of disease or death is hovering over the humble roof-tree.
Food, or nourishment as it is called in sick-room phraseology, would not so often be refused by the patient if it were properly managed.
Source: Wikisource

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