Interior design

“ Such an anomalous relationship between interior and exterior is absolutely opposed to the fundamental training of the architect of to-day. Often have I heard my professor of design, a Frenchman of rare judgment, fly out at a student caught working on his exterior before the interior was complete: "Work on your plan, finish your plan, and when that is perfect, the rest will come." ”

“ Home—Interior— Securing beauty rather than display. Selecting textures that suggest good taste rather than merely a desire for display. Choosing wall coverings that are attractive and suitable backgrounds for the home. Selecting rugs for various rooms. Selecting furniture that adds attractiveness, comfort, and convenience to the home. Determining relation of beauty in furniture to the price of it. Choosing window shades, curtains, and draperies from the standpoint of color, texture, design, and fashion. Selecting appropriate accessories for the home. ”

“ It is certainly true that nature cannot be left wholly to herself in the neighbourhood of the village or city home. If there be a garden, as much forethought must be exercised in planning it and as much pains taken in developing and caring for it as is called for in working out any form of interior decoration. There are problems of design and construction suggested by the need of suitable chairs and settles for the piazza, comfortable hammocks and couches for the balcony, awnings for the windows on the sunny side, and the right furniture, perhaps, for an out-door dining-room. ”

“ Design and colour of wall decorations, hangings, carpets, lighting fixtures, lamps and ornaments on mantel, depend upon the character of your furniture.
It is the mantel and its arrangement of ornaments that sound the keynote upon first entering a room.
Conventional simplicity in number and arrangement of ornaments gives balance and repose, hence dignity. Dignity once established, one can afford to be individual, and introduce a riot of colours, provided they are all in the same key. ”

“ Our garments, articles of furniture, lamps, clocks, book covers, automobiles, the exterior and interior of our houses, even the billboards by the roadside are shaped and colored to comply in some degree, small or large, with the principles of aesthetic design. Even the most utilitarian things are shaped and painted so as to please the eye. ”

“ We would call attention to the heavy moulding of ceilings, the walls painted in panels (painted panels or wall paper to represent panels, is a Victorian hallmark) , beautifully hand-carved woodwork, elaboration of design and colon carpet, woven in one piece for the room; in fact the characteristic richness of elaboration everywhere: Pictures in gilded carved frames, hung on double silk cords with tassels, heavily carved furniture made in England, showing fruits, flowers and medallion heads, and a similar elaboration and combination of flora and figures on bronze gas fixtures. ”

“ Colour and textiles are the flesh of interior decoration.
In furnishing a small room you can add greatly to its apparent size by using plain paper and making the woodwork the same colour, or slightly darker in tone. If you cannot find wall paper of exactly the colour and shade you wish, it is often possible to use the wrong side of a paper and produce exactly the desired effect.
In repapering old rooms with imperfect ceilings it is easy to disguise this by using a paper with a small design in the same tone. A perfectly plain ceiling paper will show every defect in the surface of the ceiling. ”

“ About the early part of the nineteenth century, the custom of employing architects to design the interior fittings and the furniture of their buildings, so as to harmonize, appears to have been abandoned ”

“ If colour is to play a conspicuous part, brightly figured silks and cretonnes being used for hangings and upholstery, the floor covering should be indefinite both as to colour and design. On the other hand, when rugs or carpets are of a definite design in pronounced colours, particularly if you are arranging a living-room, make your walls, draperies and chair-covers plain, and observe great restraint in the use of colour. Those who work with them know that there is no such thing as an ugly colour, for all colours are beautiful. ”

“ No curtains are used, instead, boxes are planted with ivy which is trained to climb the green lattice and helps to temper the light, while the window shades themselves are of a fascinating glazed linen, having a soft yellow background and design of fruit and vines in brilliant colours.
Dining-room Furniture, Italian Renaissance
In planning your house after arranging for proper wall space for your various articles of furniture, keep in mind always that lights will be needed and must be at the same time conveniently placed and distinctly decorative. ”

“ Shows a man's library, masculine gender written all over it-strength, comfort, usefulness and simplicity.
The mantel is arranged in accordance with rules already stated. It will be noticed that the ornaments on mantel in a way interfere with design of the large architectural picture.
A Man's Library
Avoid in a studio, bungalow or a small flat, where the living-room and dining-room are the same, all evidences of dining-room (china, silver and glass for use) . Let the table be covered with a piece of old or modern brocade when not set for use. ”

“ Each picture on the wall, each piece of furniture, each bit of silver, glass, china, linen or lace, each yard of chintz or silk, every carpet or rug must be beautiful and effective in relation to the others used, for the art of interior decoration lies in this subtle, or obvious, relationship of furnishings.
We acknowledge as legitimate all schemes of interior decoration and insist that what makes any scheme good or bad, successful, or unsuccessful presuming a knowledge of the fundamentals of the art, is the fact that it is planned in reference to the type of man or woman who is to live in it. ”

“ Homes evolve. They are not pulled, rabbit-like, out of a hat. When you build a house, the architect makes it [Pg 166] yours by getting a word picture of your ideas and pulling them down to earth in a series of business-like blueprints. If your ideas regarding decoration are nebulous, a good interior decorator can help to make them concrete. ”

“ Every room in a house bears some natural relation to every other room, and even the objects in the same room or in adjoining rooms must assist each other, [16] whether their purpose be utility or decoration or a combination of both. Only by due attention to the mutual relations of the various elements that must enter into the composition, can the designer produce those pleasing space effects, those blendings of colour tones, those manifest relations between the various objects, useful or decorative, that give order, unity, and sympathetic feeling to a complete design. ”

“ There are no parts of a building that lend themselves to a more varied treatment in colour and decoration than the main walls of an interior, and this diversity depends on the character, architectural style and uses of the building. ”

“ In spite of a prevalent want of training, it is astonishing how much we have of good interior decoration, not only in houses of great importance, but in those of people of average fortunes—indeed, it is in the latter that we get the general value of the art. ”

“ To-day Victorian cross-stitch and bead work in chairs, screens, footstools and bell-pulls, artificial flowers of wax and linen, and stuffed birds, as well as Bristol glass in blue, green and violet, are brought out from their hiding places and serve as touches of colour to give some of the notes of variety which good interior decoration demands.
To be fascinating, a person must not be too rigidly one type. There must be moments of relaxation, of light and shade in mood, or one is not charmed even by great beauty. ”

“ Portières, curtains, cushion covers, table runners and mats, lamp shades, and many other furnishings, in which fabrics are involved, present problems that quickly engage the interest of the amateur decorator who wishes to avoid the commonplace and, when well worked out, add greatly to the attractiveness of artistic surroundings. And every house becomes a studio for problems peculiar to itself, when the possibilities of development in this direction are realized. Here, as everywhere else, decorative art is secondary to architectural design and must never fail to acknowledge its dependence. ”

“ If your rooms are to serve as a home, give them a winning, human quality, keep before your mind's eye, not royal palaces which have become museums, but homes, built and furnished by men and women whose traditions and associations gave them standards of beauty, so that they bought the choicest furniture both at home and abroad. In such a home, whether it be an intimate palace in Europe, a Colonial mansion in New England, or a Victorian interior of the best type, an extraneous period is often represented by some objet d'art as a delightful, because harmonious note of contrast. ”

“ The decorations and furnishings of a house depend largely on its style of architecture and the owner's taste. Further, if in any doubt, it is better to do too little than too much. Under such circumstances, too, an interior decorator is helpful ”

“ The delicacy of his detail was more appropriate to the inside of a house than to the outside, and nothing pleased him better than to design the whole decoration of a room—doors, chimney-piece, ceiling, plaster wall panels, lockplates and door handles, grate, and the whole of the furniture. Pretty, graceful, and refined, but rarely virile, his work appeals to the less tumultuous emotions; indeed he made his mark not so much by his architecture as by his decoration, which exhibits extraordinary fecundity and fertility of design. ”

“ Everything in nature is formed and placed for purpose, and here is the keynote of harmonious interior arrangement. For instance, here is a drawing-room with appropriate and well-chosen pieces of furniture. ”

“ To touch upon the subject as lightly as space will permit, we can probably do no better than to suggest the obvious type of mantel for one or two of the more common architectural styles, and recommend that in other styles the architect be allowed sufficient latitude in design and expense to distinguish this important feature of hall, living-room, dining-room or library with the characteristics of the style he has worked out for the house itself. ”

“ One of the most joyful obligations in life should be the planning and executing of BEAUTIFUL HOMES, keeping ever in mind that distinction is not a matter of scale, since a vast palace may find its rival in the smallest group of rooms, provided the latter obeys the law of good line, correct proportions, harmonious colour scheme and appropriateness: a law insisting that all useful things be beautiful things.
THE ART OF INTERIOR DECORATION
CHAPTER I HOW TO REARRANGE A ROOM
Lucky is the man or woman of taste who has no inherited eyesores which, because of association, must not be banished! ”

“ It is by no means an unimportant thing to create a beautiful and picturesque interior. There is no influence so potent upon life as harmonious surroundings, and to create and possess a home which is harmonious in a simple and inexpensive way is the privilege of all but the wretchedly poor. In proportion also as these surroundings become more perfect in their art and meaning, there is a corresponding elevation in the dweller among them—since the best decoration must include many spiritual lessons. ”

“ Have nothing in your houses that you do not know to be useful, or believe to be beautiful—William Morris
The decorating and furnishing of a house have their true beginning in good architectural design. It is a mistake to proceed upon the theory that decoration necessarily implies something added for its own sake—something beautiful in itself but selected and applied without regard to the lines, spaces, and colours of the room in which it is to be placed and without considering the relation of this room to neighbouring rooms and to more remote surroundings. ”

“ One is astonished to see how often the actual balance of a room is upset by the careless placing of electric fixtures. Therefore keep in mind when deciding upon the lighting of a room the following points: first, fixtures must follow in line style of architecture and furniture; second, the position of fixtures on walls must carry out the architect's scheme of proportion, line and balance; third, the material used in fixtures—brass, gilded wood, glass or wrought iron—must contribute to the decorator's scheme of line and colour ”

“ The current idea that a distinguished room remains distinguished because costly tapestries and old masters hang on its walls, even when the floor is strewn with vulgar, hired chairs, is an absurd mistake. Each room from kitchen to ballroom is a stage "set,"—a harmonious background for certain scenes in life's drama. It is the man or woman who grasps this principle of a distinguished home who can create an interior which endures, one which will hold its own despite the ebb and flow of fashion. ”

“ To repeat, never forget that your house or flat is your home, and, that to have any charm whatever of a personal sort, it must suggest you—not simply the taste of a professional decorator. So work with your decorator (if you prefer to employ one) by giving your personal attention to styles and colours, and selecting those most sympathetic to your own nature. Your architect will be grateful if you will show the same interest in the details of building your home, rather than assuming the attitude that you have engaged him in order to rid yourself of such bother. ”