Summary

Mary Austin The Land of Little Rain

A fir-tree loves a water border, loves a long wind in a draughty canon, loves to spend itself secretly on the inner finishings of its burnished, shapely cones. Broken open in mid-season the petal-shaped scales show a crimson satin surface, perfect as a rose.
The birch—the brown-bark western birch characteristic of lower stream tangles—is a spoil sport. It grows thickly to choke the stream that feeds it; grudges it the sky and space for angler's rod and fly. The willows do better; painted-cup, cypripedium, and the hollow stalks of span-broad white umbels, find a footing among their stems.
Source: Gutenberg

Mary Austin The Land of Little Rain

Around the amphitheatres of the lake regions and above them to the limit of perennial drifts they gather flock-wise in splintered rock wastes. The crowds of them, the airy spread of sepals, the pale purity of the petal spurs, the quivering swing of bloom, obsesses the sense. One must learn to spare a little of the pang of inexpressible beauty, not to spend all one's purse in one shop. There is always another year, and another.
Lingering on in the alpine regions until the first full snow, which is often before the cessation of bloom, one goes down in good company.
Source: Gutenberg

Mary Austin The Land of Little Rain

Here is the fashion in which a mountain stream gets down from the perennial pastures of the snow to its proper level and identity as an irrigating ditch. It slips stilly by the glacier scoured rim of an ice bordered pool, drops over sheer, broken ledges to another pool, gathers itself, plunges headlong on a rocky ripple slope, finds a lake again, reinforced, roars downward to a pot-hole, foams and bridles, glides a tranquil reach in some still meadow, tumbles into a sharp groove between hill flanks, curdles under the stream tangles, and so arrives at the open country and steadier going.
Source: Gutenberg

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