Max Beerbohm

Max Beerbohm

Summary

Portrait of Max Beerbohm Max Beerbohm,  Zuleika Dobson — Chapter 18 (1911)

“ The Duke replenished his glass, hoping the spell might work yet. . . . Perhaps, had Byron not been a dandy—but ah, had he not been in his soul a dandy there would have been no Byron worth mentioning. And it was because he guarded not his dandyism against this and that irrelevant passion, sexual or political, that he cut so annoyingly incomplete a figure. He was absurd in his politics, vulgar in his loves. Only in himself, at the times when he stood haughtily aloof, was he impressive. Nature, fashioning him, had fashioned also a pedestal for him to stand and brood on, to pose and sing on. ”
Source: Wikisource

Portrait of Max Beerbohm Max Beerbohm,  Zuleika Dobson — Chapter 18 (1911)

“ Marvellous, I grant you, are those passes of the swirling brush by which the velvet of the mantle is rendered—passes so light and seemingly so fortuitous, yet, seen at the right distance, so absolute in their power to create an illusion of the actual velvet. Sheen of white satin and silk, glint of gold, glitter of diamonds—never were such things caught by surer hand obedient to more voracious eye. Yes, all the splendid surface of everything is there. Yet must you not look. The soul is not there. An expensive, very new costume is there, but no evocation of the high antique things it stands for ”
Source: Wikisource

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