Summary

Portrait of Mayne Reid Mayne Reid The Death Shot: A Story Retold

In the struggle Clancy has let go his gun, and now vainly gropes for it in the darkness. But two others are behind, with barrels that bear upon the retreating horseman. In an instant all would be over with him, but for Clancy himself; who, rushing between, strikes up the muzzles, crying:—
“Don’t shoot, Sime! Hold your fire, Heywood! His life belongs to me!”
Strange forbearance; to the backwoodsmen, incomprehensible! But they obey; and again Richard Darke escapes chastisement for two great crimes he intended, but by good fortune failed to accomplish.
Source: Gutenberg

Portrait of Mayne Reid Mayne Reid The Death Shot: A Story Retold

In the company of his Creole girl he will soon cease to think of her—forget the solemn vows made, and the sweet words spoken, beneath the magnolia—tree, in her retrospect seeming sadder than yew, or cypress.
Will she ever forget him? Can she? No; unless in that land, whither her face is set, she find the fabled Lethean stream. Oh! it is bitter—keenly bitter!
It reaches the climax of its bitterness, when the barouche rolling along opens out a vista between the trees, disclosing a cottage—Clancy’s. Inside it sleeps the man, who has made her life a misery! Can he sleep, after what he has done?
Source: Gutenberg

Portrait of Mayne Reid Mayne Reid The Death Shot: A Story Retold

It is the steed of Clancy. Protruding its soft muzzle over the rail, it is stroked by the mulatto’s hand, which soon after has hold of the forelock. Fortunately the saddles are close by, astride the fence, with the bridles hanging to the branches of a tree. Jupiter easily recognises those he is in search of, and soon has the horse caparisoned.
At length he leads the animal not mounting till he is well away from the camp. Then, climbing cautiously into the saddle, he continues on, Brasfort after; man, horse, and hound, making no more noise, than if all three were but shadows.
Source: Gutenberg

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