Summary

Portrait of Michael Arlen Michael Arlen The Red Book Magazine, Volume 45… (1925)

Oh, boy! Say, trying to scare him, Howard Puce, Junior, of Chicago, with a ghost like that! Why, it was like taking money from a child. Poor old Hillier! Never bet less than five hundred on anything, didn’t he, the poor boob! Well, there wasn't a ghost made, with or without a head on him, that could scare Howard Puce. No sir!
For as his eyes had grown accustomed to the darkness, and helped by the mockery of light that the clouded, moonless night just managed to thrust through the distant window, the gentleman from America had been able to make out a form at the foot of the bed.
Source: Wikisource

Portrait of Michael Arlen Michael Arlen The Red Book Magazine, Volume 45… (1925)

Imagine, then, how differently they were affected when, as they lay in bed in their room toward the top of the house, they distinctly heard from far below a noise, as of some one moving. Julia sat up in bed, intent, unafraid, curious. Geraldine swooned.
“It’s only a cat,” Julia whispered. “I’m going down to see.”
“Don’t!” sighed Geraldine. “For pity’s sake don’t leave me, Julia!”
“Oh, don’t be so childish!” snapped Julia. “Whenever there’s the chance of the least bit of fun, you get shivers down your spine.
Source: Wikisource

Portrait of Michael Arlen Michael Arlen The Red Book Magazine, Volume 45… (1925)

Puce placed the sleek little automatic on a small table by the bed, on which stood the candle and, as he realized for the first time, a book. One glance at the paper jacket of the book was enough to convince the gentleman from America that its presence there was due to one of Hillier’s tired ideas. It showed a woman of striking, if conventional, beauty fighting for her life with a shape which might or might not be the wraith of a bloodhound, but was certainly something quite outside a lovely woman’s daily experience.
Source: Wikisource

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