Mildred Aldrich

Mildred Aldrich

Summary

Portrait of Mildred Aldrich Mildred Aldrich A Hilltop on the Marne

But he accepted the war without a word, though nothing is more foreign to his nature. It brought it home to me—this rising up of a Nation in self-defense. It is not the marching into battle of an army that has chosen soldiering. It is the marching out of all the people—of every temperament—the rich, the poor, the timid and the bold, the sensitive and the hardened, the ignorant and the scholar—all men, because they happen to be males, called on not only to cry, "Vive la France," but to see to it that she does live if dying for her can keep her alive.
Source: Gutenberg

Portrait of Mildred Aldrich Mildred Aldrich A Hilltop on the Marne

This is a rolling country of grain fields, orchards, masses of black-currant bushes, vegetable plots,—it is a great sugar-beet country,—and asparagus beds; for the Department of the Seine et Marne is one of the most productive in France, and every inch under cultivation. It is what the French call un paysage riant, and I assure you, it does more than smile these lovely June mornings. I am up every morning almost as soon as the sun, and I slip my feet into sabots, wrap myself in a big cloak, and run right on to the lawn to make sure that the panorama has not disappeared in the night.
Source: Gutenberg

Portrait of Mildred Aldrich Mildred Aldrich A Hilltop on the Marne

Out there in the northeast still boomed the cannon. The smoke of the battle still rose straight in the still air. I had seen the war. I had watched its destructive bombs. For three days its cannon had pounded on every nerve in my body; but none of the horror it had sowed from the eastern frontier of Belgium to within four miles of me, had reached me except in the form of a threat. Yet out there on the plain, almost within my sight, lay the men who had paid with their lives—each dear to some one—to hold back the battle from Paris—and incidentally from me.
Source: Gutenberg

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