Mrs. Oliphant

Mrs. Oliphant

Harry Muir (1853)

Summary

Portrait of Mrs. Oliphant Mrs. Oliphant,  Harry Muir (1853)

“ In the morning, when the feeble sunshine falls dimly upon the lawn, and its flower borders, Violet and Katie rejoice over, here and there, a golden or purple crocus, and eagerly point out the buds swelling on the trees; but at night it is always rain, striking on the bare branches, and filling the whole air with a sound of mysterious footsteps passing to and fro around the lonely house. And within the house they all grow very still—they all listen for Harry’s step, for Harry’s call; and their hearts tremble, and their frames shiver, as every night they think he will return. ”
Source: Gutenberg

Portrait of Mrs. Oliphant Mrs. Oliphant,  Harry Muir (1853)

“ Poor Harry! his little wife will think of him to-day!
Think and weep, but only with a serene [295] and gentle melancholy; for the young joyous nature has long been rising; and Agnes, though she never can forget, laments no longer with the reality of present grief. It is no longer present—it is past, and only exists in remembrance; and Agnes is involuntarily glad, and will wear her widow’s cap no more.
And Martha is dressing little Harry, who will not be quiet in her hands for two minutes at a time, but dances about with a perpetual elasticity, which much retards his toilet.
”
Source: Gutenberg

Portrait of Mrs. Oliphant Mrs. Oliphant,  Harry Muir (1853)

“ That night, standing on the turret, Martha looks out upon the lands of Allenders—the lands which her own labour has cleared of every overpowering burden, and which the same vigorous and unwearied faculties shall clear yet of every encumbrance, if it please God. The moonlight glimmers over the slumbering village of Maidlin—over the pretty houses of poor Harry’s impatient fancy, where Harry’s labourers now dwell peacefully, and know that their improved condition was the will and purpose of the kindly-remembered dead. ”
Source: Gutenberg

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