Summary

Portrait of Mrs. Oliphant Mrs. Oliphant The Son of His Father; vol. 1/3

She was not like a woman by her mother’s bed-side, but like a solemn spectator expounding the mysteries of life and death.
‘People are as different,’ she said, ‘in their dying as in their living. She has taken everything with her she could take. She wouldn’t leave even a look for me, as if she thought I could have come, and did not. But I’ll not excuse myself here. Mother’—she stooped down, and kissed the waxen forehead—‘good-bye. You would have been a good mother to one more like yourself; she has been a good mother to you——’
John said no word in reply.
Source: Gutenberg

Portrait of Mrs. Oliphant Mrs. Oliphant The Son of His Father; vol. 1/3

She began to smile after a time very pathetically with her quivering lips. ‘We mustn’t forget,’ she said, ‘that it’s just Emily’s way.’
‘Oh, grandmamma,’ cried John, ‘can’t you understand that I don’t want to think any more of her as Emily. She is not Emily to me.’
‘We must not judge her hardly, my dear. She has always had a way of her own. She was one that never could bear the idea of disgrace or—anything of that kind. She would bear a great deal, but, if anyone brought discredit on the family, that she could not bear. She was more like a man than a woman in that way.
Source: Gutenberg

Portrait of Mrs. Oliphant Mrs. Oliphant The Son of His Father; vol. 1/3

How should an old man who had been used to have everything done for him learn in a moment the arts of a sick-room—the recollection of everything, the softened touch, the subdued sounds? Love itself is not enough to teach all these. And old Mr. Sandford had been less used to help himself than any duke. To have your wife there to do everything for you, as is the habit of the class to which he belonged, involves a far closer service than any valet would give. The poor old gentleman, with the best will in the world, was quite incapable.
Source: Gutenberg

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