Summary

Portrait of Mrs. Oliphant Mrs. Oliphant The Son of His Father; vol. 2/3

However subdued one may be, however little desire one may have for amusement or commotion, yet in London it is inevitable that one should be amused and excited. It comes, in spite of one’s self, in the mere clamour of so much life, in the bustle of the streets, in the noise and riot. So he had thought, as so many think every day. But what had really happened to John in London was that he had fallen into the completest stillness, a quiet more than the quiet of the village, a loneliness such as he had never known before. His landlady had lighted two candles on the table.
Source: Gutenberg

Portrait of Mrs. Oliphant Mrs. Oliphant The Son of His Father; vol. 2/3

For after all it is not so dreadful for the very young to contemplate dying: the violets on their grave breathe to them a great consolation and the thought of the universal sympathy; they have not got so engrafted into life, so determined in all its habits as their elders. But when John turned to the other side, and found himself facing that blank world of the unknown—not knowing what he was to do, having, so to speak, no say in it, depending entirely upon what She should decide—there was no consolation at all in it, nothing that corresponded to the violets on the grave.
Source: Gutenberg

Portrait of Mrs. Oliphant Mrs. Oliphant The Son of His Father; vol. 2/3

Sometimes the young dreamer will carry out his vision, bringing misery and self-reproach to those he leaves behind, but coming back in most cases far from triumphant, forced by destitution or misery, perhaps, or at best disenchanted and dreary, dazzling no one with the success which has ceased to be sweet. Perhaps John, who had a great deal of sense, divined this—at all events, he was held by those bonds of duty which had lain on him lightly in the past, yet had created a tradition and necessity of obedience, which nothing he had yet encountered was strong enough to abrogate.
Source: Gutenberg

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