Nathaniel Hawthorne

Nathaniel Hawthorne

Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/Feathertop (1852)

In obedience to Mother Rigby's word, and extending its arm as if to reach her outstretched hand, the figure made a step forward--a kind of hitch and jerk, however, rather than a step--then tottered and almost lost its balance. What could the witch expect? It was nothing, after all, but a scarecrow stuck upon two sticks. But the strong-willed old beldam scowled, and beckoned, and flung the energy of her purpose so forcibly at this poor combination of rotten wood, and musty straw, and ragged garments, that it was compelled to show itself a man, in spite of the reality of things.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/Feathertop (1852)

Mother Rigby always liked to flavor her pipe with a coal of fire from the particular chimney corner whence this had been brought. But where that chimney corner might be, or who brought the coal from it,--further than that the invisible messenger seemed to respond to the name of Dickon,--I cannot tell.
"That puppet yonder," thought Mother Rigby, still with her eyes fixed on the scarecrow, "is too good a piece of work to stand all summer in a corn-patch, frightening away the crows and blackbirds. He's capable of better things.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/Feathertop (1852)

In fear and trembling did this poor scarecrow puff. But its efforts, it must be acknowledged, served an excellent purpose; for, with each successive whiff, the figure lost more and more of its dizzy and perplexing tenuity and seemed to take denser substance. Its very garments, moreover, partook of the magical change, and shone with the gloss of novelty and glistened with the skilfully embroidered gold that had long ago been rent away. And, half revealed among the smoke, a yellow visage bent its lustreless eyes on Mother Rigby.
Source: Wikisource

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