Summary

Portrait of Nellie Bly Nellie Bly Around the World in Seventy-Two Days… (1890)

Men, women and children turn out to play shuttle-cock and fly kites. Can you imagine what an enchanting sight it is to see pretty women with cherry lips, black bright eyes, ornamented, glistening hair, exquisitely graceful gowns, tidy white-stockinged feet thrust into wooden sandals, dimpled cheeks, dimpled arms, dimpled baby hands, lovely, innocent, artless, happy, playing shuttlecock in the streets of Yokohama?
Japanese children are unlike any other children I ever saw at play. They always look happy and never seem to quarrel or cry.
Source: Wikisource

Portrait of Nellie Bly Nellie Bly Around the World in Seventy-Two Days… (1890)

On a cold day one would imagine the Japanese were a nation of armless people. They fold their arms up in their long, loose sleeves. A Japanese woman's sleeves are to her what a boy's pockets are to him. Her cards, money, combs, hair pins, ornaments and rice paper are carried in her sleeves. Her rice paper is her handkerchief, and she notes with horror and disgust that after using we return our handkerchiefs to our pockets. I think the Japanese women carry everything in their sleeves, even their hearts.
Source: Wikisource

Portrait of Nellie Bly Nellie Bly Around the World in Seventy-Two Days… (1890)

Little Japanese girls, elevated on wooden sandals and with babies almost as large as themselves tied on their backs, play shuttle-cock with an abandon that is terrifying until one grows confident of the fact that they move with as much agility as they could if their little backs were free from nursemaid burdens. Japanese babies are such comical little fellows. They wear such wonderfully padded clothing that they are as shapeless as a feather pillow.
Source: Wikisource

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