Summary

Portrait of Sherard Osborn Sherard Osborn Once a Week, Series 1, Volume III… (1860)

Those poor girls in the tea-houses, the women in the temples, the attendants in the public gardens, the ranks of the Bikuni, have all to be filled up from the middle and lower classes. They may become famous in Japanese history, for Japanese history recognises its Aspasias, as Greece and Egypt did of old. They may, by their wit or beauty, win the hearts of wealthy men, who will take them for wives, and thus rescue them from their wretched lot. But in Japan, as in Europe, there is a wide, wide difference between the high and low of womankind, though equally gentle, though equally lovely.
Source: Wikisource

Portrait of Sherard Osborn Sherard Osborn Once a Week, Series 1, Volume III… (1860)

A face of classical beauty, according to Japanese notions, combined with great modesty of expression, black hair turned up and ornamented with long gold pins and scarlet crape flowers, an outer robe of the most costly silk, embroidered in gold and confined at the waist by a scarf, upon which the highest female art has been expended in ornament, and tied in a large bow behind, the ends flowing over a long train formed by seven or eight silk petticoats, each longer and richer than the other. A sailor may pry no farther into the mysteries of female finery!
Source: Wikisource

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