Summary

Nigel MacNeill The literature of the Highlanders

The Highlander alone can fully know and appreciate the language and literature of his race. But if he takes up the obsolete harp of his fathers, and rehearses in melancholy strains that his people are perishing and that his language is dying, it is quite natural, that his Teutonic neighbour should chime in with an emphatic and not always a sympathetic amen.
This sort of harping is the species of music with which many Highlanders, and Irish Gaels also, have been pleased to humour and feed their patriotic feelings over the general neglect of Celtic interests.
Source: Gutenberg

Nigel MacNeill The literature of the Highlanders

He was a great bard, a brave warrior, but an unobtrusive man. His son Oscar was the pride and hope of Selma, peerless as to strength and skill in arms, generous to a fallen foe, and ever ready to meet the fiercest champion that ever came from Lochlin. Gaul or Goll is stout and valiant, and next to Oscar in prowess, but is at times morose. He is never worsted, but he never courts danger for its own sake. The beautiful and brown-haired Diarmad cannot be seen by any woman without being loved.
Source: Gutenberg

Nigel MacNeill The literature of the Highlanders

He looks at nature as a man of culture and tender sympathies, and with an independent eye; and what he sings comes with all the freshness of the evening breeze as it sweeps o’er the Highland loch. One [297] theme he especially dwells on—the depopulation of the Highlands. His heart is saddened as he sees the Lowland shepherd, who has no sympathy with the place, the people, or their language, treading with his dogs the glens and hillsides where many expatriated Gaels had once their happy homes. He has also written several love lyrics which are admirable in conception and expression.
Source: Gutenberg

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