Norman Douglas

Norman Douglas

Summary

Portrait of Norman Douglas Norman Douglas London street games (1916)

I don’t know a single boy who really cares for “organized games” the way a man does; even Aunt Eliza can’t bring herself to believe in the system over-much, though she likes to think it keeps the youngsters out of mischief. And it all comes from thinking that boys think the same as we think—which they don’t; or ought to learn to think the same as we think—which they oughtn’t. Because the right kind of boy thinks differently from the right kind of man about games and everything else.
Source: Gutenberg

Portrait of Norman Douglas Norman Douglas London street games (1916)

These picture games have helped to do away with marbles, for two reasons: firstly, the boys are keener on them because they’re more exciting; and secondly, they’re cheaper. You have to pay for marbles. But you don’t pay for fag-pictures: you mump them, see? And here the difference between our games and those of richer people comes in. The more expensive their games are, the more they like to play them; they don’t seem to care about sports that are played with nothing at all—the dearness is what makes everybody want to go in for them
Source: Gutenberg

Portrait of Norman Douglas Norman Douglas London street games (1916)

That’s what makes them use up all they can find—clay and kerbstones and nuts and winkle-shells and clothes and empty condensed-milk tins and walls and caps and stones and window-sills and buttons and doorsteps and lamp-posts and rags and anything else that comes handy. And that’s how they come to play any number of games and to discover new ones every day, while better-class lads get into grooves and go on with their frowsy old cricket and one or two more all the time, always the same, year after year.
Source: Gutenberg

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