Norman Douglas

Biographical details

Portrait of Norman Douglas Norman Douglas Fountains in the Sand: Rambles Among the Oases of Tunisia

THE OASIS OF LEILA I rode, for a farewell visit, to the small oasis of Leila, or Lalla, which lies a few miles beyond the railway station. It is one of several parasitic oases of Gafsa: a collection of mud-houses whose gardens are watered by a far-famed spring, the fountain of Leila.
The water gushes out, tepid and unpleasant to the taste—but health-giving, they say, like so many unpleasant things—from under steep banks of clay through which the railway to Sfax has been cut. It is a sleepy hollow of palms, a place to dream away one's cares.
Source: Gutenberg

Portrait of Norman Douglas Norman Douglas Old Calabria

Calabria is not a land to traverse alone. It is too wistful and stricken; too deficient in those externals that conduce to comfort. Its charms do not appeal to the eye of romance, and the man who would perambulate Magna Graecia as he does the Alps would soon regret his choice. One needs something of that “human element” which delighted the genteel photographer of Morano—comrades, in short; if only those sages, like old Nola Molisi, who have fallen under the spell of its ancient glories. The joys of Calabria are not to be bought, like those of Switzerland, for gold.
Source: Gutenberg

Portrait of Norman Douglas Norman Douglas South Wind

You will get no satisfaction out of me, Keith, with your hedonism. You are up against a brick wall. You speak of my deliberately closing up avenues of pleasure. They ought to be closed up, I say, if a man is to respect himself. I do not call my body a subtle instrument; I call it a damned nuisance. I don't want to be an Aeolian harp. I don't want my sensations multiplied; I don't want my personality extended; I don't want my outlook widened; I don't want money; I don't want aspects of life.
Source: Gutenberg

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