Summary

Portrait of O. Henry O. Henry The Voice of the City: Further Stories of the Four Million

And then I knew that for some reason the veil had been lifted for me alone, and that I had been elected to save my friend from destruction at the Fool-Killer's hands. Something of the fear and wonder of it must have showed itself in my face.
"Excuse me," said Kerner, with his wan, amiable smile; "was I talking to myself? I think it is getting to be a habit with me."
The Fool-Killer turned and walked out of Farroni's.
"Wait here for me," said I, rising; "I must speak to that man. Had you no answer for him? Because you are a fool must you die like a mouse under his foot?
Source: Gutenberg

Portrait of O. Henry O. Henry The Voice of the City: Further Stories of the Four Million

They drove in a cab to the Café Terence, just off the most glittering part of Broadway, which, as every one knows, is one of the most popular and widely patronized, jealously exclusive Bohemian resorts in the city.
Down between the rows of little tables tripped Medora, of the Green Mountains, after her escort. Thrice in a lifetime may woman walk upon clouds—once when she trippeth to the altar, once when she first enters Bohemian halls, the last when she marches back across her first garden with the dead hen of her neighbor in her hand.
Source: Gutenberg

Portrait of O. Henry O. Henry The Voice of the City: Further Stories of the Four Million

You travel the streets, and a finger beckons to you, a handkerchief is dropped for you, a brick is dropped upon you, the elevator cable or your bank breaks, a table d'hôte or your wife disagrees with you, and Fate tosses you about like cork crumbs in wine opened by an un-feed waiter. The City is a sprightly youngster, and you are red paint upon its toy, and you get licked off.
Source: Gutenberg

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