Olive Higgins Prouty

Summary

Olive Higgins Prouty Stella Dallas — Chapter 1 (1923)

Laurel worked like a machine, when she dressed. Her mother worked like an artist, whose effects are accomplished by many fine and careful strokes, and many stops, standing away frequently from her work to observe it with a critical and often a dissatisfied eye.
She would not be ready to apply her skill to Laurel until she was complete herself, except for just the finishing touch of her dress. When she would be ready for Laurel, the flabby fleshiness under the nightgown would have become all beautiful firm curves inside the flower-brocaded pink corsets
Source: Wikisource

Olive Higgins Prouty Stella Dallas — Chapter 1 (1923)

She was seldom seen on the floor of the hotel ballroom dancing with the other children. Usually she could be found standing somewhere by herself, quiet and composed; or sitting in a chair with a book. Yet there was something about Laurel, standing or sitting, or walking slowly down the long length of the dining-room behind her mother to their table in a far corner, that recalled certain pictures of young girls dancing in the woods—Isadora Duncan pupils, perhaps—slim, sleek, sylvan creatures in Greek draperies.
Laurel leaned up against one of the pillars in the hotel foyer and gazed about her.
Source: Wikisource

Olive Higgins Prouty Stella Dallas — Chapter 1 (1923)

For a missing button or a tiny hole used to disturb Laurel's father years ago.
The beautiful trunk, and its beautiful contents, clashed with its present surroundings. Laurel was aware of it. It flashed over her, with a little stab of joy, that to-morrow morning when she woke up and glanced across the room at her trunk, it would be harmonizing with mahogany and plate-glass and a soft velvet carpet, and a glimpse through an open door of tiles and shining white porcelain.
Source: Wikisource

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