Olive Higgins Prouty, Stella Dallas — Chapter 1 (1923)
“ Laurel worked like a machine, when she dressed. Her mother worked like an artist, whose effects are accomplished by many fine and careful strokes, and many stops, standing away frequently from her work to observe it with a critical and often a dissatisfied eye. She would not be ready to apply her skill to Laurel until she was complete herself, except for just the finishing touch of her dress. When she would be ready for Laurel, the flabby fleshiness under the nightgown would have become all beautiful firm curves inside the flower-brocaded pink corsets ”
