Summary

Oral Literature in the Digital Age… (2013)

Since most of our transactions and communications in the Project are digital—through email, websites, voice-over Internet Protocol, and file share applications—“only connect” reflects our fast changing world and new work practices. Second, and perhaps more profoundly, “only connect” is what we hope to achieve when we share recordings of oral literature in print, on air and online. Connectivity is all: our project would not exist without the technical underpinnings and the philosophical imperative to see information and knowledge shared.
Source: Wikisource

Oral Literature in the Digital Age… (2013)

Thanks to ever-greater digital connectivity, wider Internet access and affordable multimedia recording technologies, the locus of dissemination and engagement has grown beyond that of researcher and research subject to include a diverse constituency of global users such as migrant workers, indigenous scholars, policymakers and journalists, to name but a few.
Source: Wikisource

Oral Literature in the Digital Age… (2013)

David Nathan continues with the theme of digital archiving by considering the issue of access in relation to archives that hold documents of, and documentation relating to, endangered languages. Nathan defines access as the means of finding a resource; the availability of the resource; the delivery of the resource to the user; the relevance and accessibility of resource content to the user; and the user’s perceptions of their experience interacting with the archive and its resources.
Source: Wikisource

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