Summary

Portrait of Oscar Wilde Oscar Wilde The Picture of Dorian Gray — Chapter 11 (1891)

For the wonderful beauty that had so fascinated Basil Hallward, and many others besides him, seemed never to leave him. Even those who had heard the most evil things against him – and from time to time strange rumours about his mode of life crept through London and became the chatter of the clubs – could not believe anything to his dishonour when they saw him. He had always the look of one who had kept himself unspotted from the world. Men who talked grossly became silent when Dorian Gray entered the room.
Source: Wikisource

Portrait of Oscar Wilde Oscar Wilde The Picture of Dorian Gray — Chapter 11 (1891)

Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life.
Source: Wikisource

Portrait of Oscar Wilde Oscar Wilde The Picture of Dorian Gray — Chapter 11 (1891)

Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap parsemé with pearls. Henry II wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires.
How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature