Summary

Portrait of Paul Carus Paul Carus The History of the Devil — Chapter 4

To the land of no return, to the afar off, to regions of corruption, Istar, the daughter of the Moon-god, her attention firmly fixed, the daughter of the Moon-god, her attention fixed the house of corruption, the dwelling of the deity Irkalla (to go) to the house whose entrance is without exit to the road whose way is without return to the house whose entrance is bereft of light a place where much dust is their food, their meat mud, where light is never seen, where they dwell in darkness ghosts like birds whirl round and round the vaults over the doors and wainscoting there is thick dust.
Source: Wikisource

Portrait of Paul Carus Paul Carus The History of the Devil — Chapter 4

In the Assyrian epic the earth seems not to have been made until after the appointment of the heavenly bodies, instead of before it, as in Genesis, and the seventh day is a day of work instead of rest, while there is nothing corresponding to the statement of Genesis that 'the spirit of God moved upon the face of the waters.' But the most important difference consists in the interpolation of the struggle between Merodach and the powers of evil, as a consequence of which light was introduced into the universe, and the firmament of the heavens was formed.
Source: Wikisource

Portrait of Paul Carus Paul Carus The History of the Devil — Chapter 4

Thus this little bronze tablet contains the picture of the world such as the imagination of the Chaldeans represented it to be: the gods and the sidereal powers, angels and demons, ighigs and anunnaks, the earth and men, with supernatural beings who exercise a direct influence upon them: the dead protected by certain demons and attacked by others according to the philosophical conception of good and evil, and the antagonism of the two principles which constitutes the basis of the Assyrio-Chaldean religion. Anu protects the dead in the same way as does the Egyptian Osiris.
Source: Wikisource

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